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Digital Media Advertising Sales Executive. We are seeking a qualified Interim Digital Media Advertising Sales Executive for an immediate opening in Sarasota, FL!. Klosable Creative Digital Marketing was borne out of necessity, and not some agenda-driven desire to make short-term gains off an industry that typically values style over substance.. Gain an extensive knowledge of our capabilities, specifically within our programmatic platforms, Paid Media and Email Marketing platforms.. The post Digital Media Advertising Sales Executive appeared first on Acuity Healthcare.
At Dolby, science meets art, and high tech means more than computer code.. Dolby’s consumer entertainment and cinema businesses are bringing Dolby’s breakthrough technologies, powering the world’s top movies, TV shows, music, games, and live sports to more places around the world across a wider range of consumer experiences and devices.. As a Senior Software Engineer in Test within the Dolby QA team, you’ll play a key role in shaping the future of immersive media.. Knowledge of video technologies, cinema and television production and post-production workflows.. Knowledge of HDR technologies such as Dolby Vision, HDR10, and HLG.
The Redford Center is seeking a creative, digital-savvy Digital Marketing & Communications Manager to drive storytelling and audience engagement at the intersection of film, environmental justice, and social impact. As Digital Marketing & Communications Manager, youll lead and execute The Redford Centers social media strategy, email campaigns, and website content, working closely with program and development teams to create compelling digital assets. Support editorial planning, campaign tracking, and digital asset management, while helping maintain and organize internal communications tools, templates, and shared resources. Design high-quality digital content using Canva, Adobe Creative Suite, and video editing tools for social media, campaigns, and events. Fluent in social platforms and tools (Instagram, Meta Business Suite, LinkedIn, YouTube Studio) Mailchimp (or similar), WordPress or other CMS platforms, Canva, Adobe Creative Suite (Photoshop, Illustrator, InDesign), and basic video editing tools, Google Analytics, UTM tracking, and link management tools (Bitly, etc.)
This role serves as a trusted advisor to business leaders in the entertainment industry, aligning people strategy with business objectives, driving organizational effectiveness, and fostering a culture of inclusion, innovation, and high performance. Oversee a team of Production HR professionals and collaborate closely with Labor Relations to manage unionized production teams, ensure compliance with collective bargaining agreements, and proactively address workforce challenges unique to film and television production. Partner with Centers of Expertise (COEs) in Total Rewards, Learning & Development, DE&I, and P&C Operations to deliver integrated solutions aligned with the business needs and context. Proven experience as a senior P&C business partner or people leader supporting complex, multi-functional organizations, within media, entertainment, and/or production environments. Deep understanding of unionized labor environments and experience collaborating with Labor Relations, particularly in film or television production.
From motion picture and television production to digital content and home entertainment, SPE operates in more than 140 countries worldwide.. SPE is seeking a dynamic and experienced Vice President of Product to join our forward-thinking New Media organizationan innovative team driving the future of entertainment through cutting-edge platforms and storytelling.. The Vice President of Product will lead the product strategy and execution for SPEs New Media ecosystems, focusing on streaming video products that enhance consumer engagement and drive revenue growth.. Familiarity with data products, personalization, or video player development is a plus.. Experience working closely with UX/UI design teams to deliver user-centric product solutions.
The position supervises a small creative team while prioritizing content strategy, editorial planning, audience engagement, and managing social media platforms with a limited focus on digital marketing.. Manages multiple content projects simultaneously, ensuring deadlines, workflows, and digital asset management protocols are consistently met and resolves content-related issues and disputes, including adjusting workflows or personnel assignments as needed.. Bachelor's degree in journalism, Digital Media, Communications, Marketing, or a related field and seven years of professional experience in digital content strategy, social media management, journalism, or a related field, including at least two years in a supervisory or leadership role.. Deep knowledge of major social media platforms (Instagram, YouTube, Twitter, Facebook, LinkedIn, TikTok), including current trends, features, and best practices.. We do not discriminate based upon race, religion, color, national origin, sex (including pregnancy, childbirth, reproductive health decisions, or related medical conditions), sexual orientation, gender identity, gender expression, age, status as a protected veteran, status as an individual with a disability, genetic information, political views or activity, or other applicable legally protected characteristics.
The best investors and angels you can find: backing from Sequoia, Founders Fund, Abstract Ventures, Michael Ovitz, Gokul Rajaram, Olivia Wilde and the founders of Lyft, Zoom, Doordash, and more.. High talent density: our team includes founders with successful exits and builders from Apple, Discord, Spotify, Substack and more, all focused on our mission.. The most ideal person for this role is a creative genius who sees the world differently and has the rare ability to translate breakthrough technology into cultural moments.. Mastery of video editing, motion graphics, and visual storytelling across all platforms. Understanding of music licensing, sound design, and how audio shapes emotional response
ASSISTANT DIRECTOR, DIGITAL MEDIA, Marketing & Video Production job at Boston University.. The Assistant Director of Digital Media produces digital photo and video content for the Department of Athletics, with the primary focus to increase visibility and advance its mission.. Reporting to the Assistant Athletic Director of Community Engagement & Video Production within the Department of Athletics marketing communications office, this position has an integral role in all digital photo and video projects for communications campaigns across web and social assets.. This position is involved from concept and storyboarding to scheduling, scouting and reserving locations, obtaining permissions, filming, editing, and producing content that meets project objectives, reinforces communication strategy, and aligns with the BU Athletics brand.. Must be able to envision and shape ideas generated from various constituents of the Department and will require an ability to work conceptually with individual products developed through an ongoing process between the videographer and the internal client rather than a set of directives.
Act as a liaison between Tech Art, Tools, IT, Media Systems, Engineering, and other departments on technological evolution and integration for our global capture facilities.. Guide facility operations, buildouts, and workflow design to support overall production needs for our global capture facilities.. 5+ years working in parallel entertainment industry such as an animation/vfx house post-production house, or film/television studio.. Expertise with some of the following technologies: virtual production, photogrammetry or audio/visual systems.. Knowledge of mocap-related technology and global stage pipelines (mocap, scanning,vcam, digital media, CNC/3D printing, live stream, etc
Datadog is growing the Technical Solutions (TS) organization by seeking a customer-focused, industry specialized, and results-oriented Field CTO to join our high-growth organization and oversee our GTM technical strategy for the AMER region with primary focus on the Media and Entertainment industry.. Partners closely with all Technical Solutions teams (Product Solutions Architecture, Sales Engineering, Technical Post Sales, Support Engineering) and other internal teams such as Product Management, Sales, Marketing, Customer Success, Go-To-Market Strategy, Finance, People & Recruiting, and more.. C-Level : Strategically guide CIO/CTO/CEO/CISO-level customer and prospect executives in rationalizing their adoption journey, investment and operationalizing of observability.. Collaboration : Collaborate with Product Solutions Architecture (PSA), Sales, Sales Engineering and Marketing in providing high-quality technical resources to a broad audience of practitioners and economic buyers.. Industry Experience: Strong experience of at least 10+ years with Enterprise architecture or Application architecture at scale and ability to map architectures to real world use cases, coupled with deep knowledge of the observability space, cloud, and technological shifts for customers, preferably with emphasis on the Media and Entertainment industry in the AMER region.
This role will be a key leader in collaborating and leading across brand marketing teams (campaigns, media, events, PR, partnerships, influencer, etc.). in developing breakthrough brand moments and always-on community engagement.. 12+ years in social media marketing – experience in a high-volume, engagement-oriented in-house content development is a must. As a leading beauty retailer within the LVMH family, our reach is broad, and our impact is global.. chatbot": true, "enabledPersonalizedFeatures
The Department of Mass Communication at Sam Houston State University invites applications for the Dan Rather Endowed Visiting Assistant Professor in Journalism and Media.. A Ph. D. in Mass Communication, journalism (or a closely related field), or a distinguished record of professional achievement in journalism or media production. About the Mass Communication Department: The Department of Mass Communication at Sam Houston State University serves more than 500 students studying journalism, broadcast production, public relations, advertising, and film.. Located in the Dan Rather Communications Building, it is home to 90.5 The Kat, Channel 7, Bearkat Student Media, The Houstonian, and the annual Heatwave Media and Film Festival.. The University takes seriously the initiative to ensure equal opportunity in the workforce and to comply with Title VII as interpreted by the U.S. Supreme Court.
Legendary has built a library of marquee media properties and has established itself as a trusted brand that consistently delivers high-quality, commercial entertainment including some of the world's most popular intellectual property.. In concert with our Post Production Manager, the Post Coordinator serves as a primary post production contact across pre-production, production and post production to ensure our movies are supported.. Onboard freelance Post Production crews.. Setup/attend DCP QC sessions for screenings and archival as needed.. At least 2 years hands on experience in feature film or television post production
Overview: Under the general supervision of the Department Chair of Cinema and Television Arts (CTVA) and the delegated direct supervision of the Associate Chair of Production, the CTVA Production Coordinator ensures prompt and efficient production workflow for scripted and non-fiction student productions.. Production Communication: Acts as a point person for production communication, especially regarding budget and accounting paperwork, working and consulting within the CTVA, as well as with other departments in the college and university, including the Dean's office and the CSUN Foundation, regarding student productions.. Production Coordination: Works in conjunction with faculty and other CTVA production staff, including the Safety Coordinator and Equipment Room Technician, to ensure coordinated communication and production workflow across disciplines.. Experience with, and knowledge of, current film and television production practices, particularly with project tracking, cost tracking, and payment workflows.. Experience with production budgeting, scheduling, accounting, and professional tools and software, such as Movie Magic Budgeting, Movie Magic Scheduling, Microsoft Excel and Microsoft Office, Google Sheets, Adobe Acrobat, Adobe Sign, and box.
An employee shuttle to and from Ogilvy Transportation and Union Station is provided, as well as subsidized parking in our buildings attached garage. Reporting to the Creative Director and collaborating closely with the entire creative team, the Production Designer will design and produce assets for various media types, including digital, print, events and packaging, while ensuring quality and brand consistency across all platforms. Design and create digital, print, event and packaging assets, including banner ads, social media content, email, and out-of-home materials. Maintain and organize the department's Digital Asset Management (DAM) system using platforms such as Bynder, WebDAM and Adobe Experience Manager (AEM) , ensuring all creative assets are accurately tagged, versioned, and accessible across teams. 5+ years of experience in design and production, with a Bachelor’s degree in graphic arts, visual communications, or related fields.
Part-Time Content Creator & Video Editor (Social Media). We’re looking for a dynamic Content Creator & Video Editor to join our team and help us craft compelling, educational, and visually engaging content that resonates across platforms.. Edit with Adobe Premiere Pro, After Effects, CapCut, and Adobe Express. Comfortable and confident on camera. Experience with DSLR cameras, lighting, and audio gear (bonus!)
The ideal candidate is passionate about digital design, has strong visual instincts, understands eCommerce best practices, and is excited about anime, film, and fan culture.. Support basic motion graphics or simple video editing needs for marketing content.. Enthusiasm for fandom, anime, pop culture, or Japanese media.. Basic motion design or video editing skills (e.g., creating GIFs, simple clips for social).. Shape Global Fandom: Work on legendary brands like Godzilla and top-tier anime titles, blending creative storytelling with digital innovation.
The Entertainment Operator – Media and Content is responsible for the daily operation and maintenance of all video/content elements in the vessel’s entertainment venues. This includes set up, operation, and tear down of all additional video equipment used for Production Shows, Headline Entertainers, Enrichment speakers, presenters, and other users of the theater and shipboard entertainment venues. In addition to the duties listed above, the Entertainment Operator – Media and Content is also responsible for assisting the Entertainment Staff on any video or screen content related tasks in the vessels alternative entertainment venues as requested by the Stage &Production Manager or Technical Director. Bachelor’s degree in theater, 3d design, or entertainment technology from an accredited university or equivalent experience is required. Working knowledge of computers (Windows and Mac) and connecting to external devices uch as projectors/TV Screens/and LED Screen panels, and relevant troubleshooting.
Cleveland.com and The Plain Dealer , is seeking an innovative, passionate editor and manager to lead our award-winning team of veteran journalists covering Greater Cleveland’s thriving food scene, world-class arts, and entertainment industry.. Editorial Leadership: Manage a team covering Cleveland’s restaurants, bars, dining guides, arts, theater, and classical music scene, ensuring engaging and high-quality journalism.. Content Strategy: Oversee daily content production for Cleveland.com, social media, podcasts, video, newsletters, and The Plain Dealer’s print sections (Taste, InTheCLE, Sunday A&E, and Sunday Travel).. Experience in digital journalism, social media strategy, and audience engagement.. This role is an exciting opportunity for a creative, forward-thinking editor to shape the voice of Cleveland’s food, arts, and entertainment coverage.
Proficiency in editing software (e.g., Adobe Audition, Adobe Premiere) and experience with recording equipment and studio technology.. Proficiency in video production equipment and software, including camera operation, video editing, and post-production tools.. EDUCATION AND EXPERIENCE: Bachelors degree in Television or Film Production, Media Studies, Communications, or a related field (or equivalent experience).. Proficiency in editing software (e.g., Adobe Audition, Adobe Premiere).. Experience with recording equipment, studio technology, and live streaming software such as VMix, Tricaster, or BlackMagic Design.